Balder Ex-Libris

Author : Redbeard Ragnar
Title : Might is Right or Survival of the Fittest
Year : 1999

Link download : Redbeard_Ragnar_-_Might_is_Right_or_Survival_of_the_Fittest.zip

“The law immutable, indestructible, eternal, not like those of today and yesterday, but made ere time began.” —SOPHOCLES “Must we then speak of this subject, also; and shall we write concerning things that are not to be told, and shall we publish things not to be divulged, and secrets not to be spoken aloud?” —JULIAN THE EMPEROR. EDITOR’S NOTE. A title like MIGHT IS RIGHT almost precludes the necessity of an introduction, since all history, natural law and common sense declare its truth. The “author” of this epic manifesto remains an enigmatic issue. As most of history is merely “the propaganda of the Victor,” we shall never be certain of many details. Due to the nature of MIGHT IS RIGHT and the brutal truth of its dynamic pronunciamentos, it has never before been published with the critical eye of a major publishing house. It appears that the raw text (of the original with additions) has been meticulously preserved in a near unadulterated form. 14 WORD PRESS is honored to present here, for Wotansvolk world-wide, this exclusive Millennial Edition. For the first time since its original release a century ago, MIGHT IS RIGHT has now been published with particular and much-deserved scrutiny to detail, leaving the 1910 text nearly unaltered. Having had the task and privilege of editing this powerful piece, the arcane evidence of authorship in the work itself became quite apparent. Ragnar Redbeard indeed ranks with Nietzsche — if he himself was not the initial author — as an intelligent and erudite thinker and writer. Many believe that Jack London was Ragnar Redbeard. Nevertheless, the literary styles reveal unequivocally that MIGHT IS RIGHT had at least two distinct authors. The original, “Redbeard,” wrote in a clean, technical style, consistent and methodical. In fact, it is very possibly the product of a skilled translator who retained many of the upper-case nouns and punctuation typical of the German language; the entire text is laced with numerous foreign phrases and translations. However, interspersed throughout this treatise are sentences, often whole paragraphs, of passionate commentary expounding upon and contrasted to the near clinical approach of Ragnar Redbeard. It seems convincingly clear that these complimentary addenda were authored by Jack London, a brilliant, creative talent, naturalist, lucid visionary and exceptional philosopher with an incandescent imagination. ...